Emily Pwerle

Emily Pwerle

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DOB: c.1922
Born: Utopia, NT
LANGUAGE GROUP: Anmatyerre/Alyawerre
COMMUNITY: Utopia, NT

Emily Pwerle (pronounced Pooh-la, also spelled Apwerl, Pwerl, Pula), is the sister of another very well known artist, Minnie Pwerle, and comes from the area of Utopia, also known as Urauntja, which lies 300 km northeast of Alice Springs. Emily was encouraged to paint by Minnie's daughter, Barbara Weir, also a high profile artist, and in 2004, together with her sisters Molly and Galya, began their first workshop at the Ulotja Outstation, which continued on, with a major workshop run every six weeks. During the workshops all artists, including Minnie, would come together and work on a collaborative canvas as well as their own individual canvas. The sisters live together at Irrultja, a tiny settlement at Utopia which is home to about 100 people. In their paintings, the sisters draw on the same dreaming as Minnie and Barbara. One of their important dreaming is the bush tomato (Solanum Chippendale), whose name in Alyawarr is Anemangkerr (pronounced similarly to numun-gurra). The circular shape which appears in many of Emily's canvases represents the bush tomato -although the seed of the bush tomato is bitter and poisonous, the flesh is an important staple food throughout Utopia and other parts of Central Australia.

Another dreaming painted by the women is the northern wild orange (Capparis Umbonata), known in Alyawarr as Akarley (pronounced a-kar-li). This fruit grows on a shrub about 3.5m high with weeping foliage and white flowers, and the fruits hang on long stalks, turning yellow or reddish at maturity.

The women also paint a commonly occurring plant which has provided a staple food for Aboriginal people in Utopia for thousands of years. This plant is Portulaca oleracea, or munyeroo. The Alyawarr word for this plant is lyaw.

The other important dreaming for these painters is the dancing tracks which are made in the sand during women's ceremony, or awelye. Through their awelye ceremonies, women pay homage to their ancestors, show respect for their country and dance out their collective maternal role within their community. A design based on these dancing tracks is painted on women's bodies before a ceremony is performed, and this same design can be seen today in the women's works on canvas. Ochre, charcoal and ash are all used to paint designs on the women's upper bodies, and Pwerle women paint their chests, breasts and upper arms for awelye in ochre, red and white. The designs they use have been passed down for many generations, and only the Pwerle or Kemarre owners can paint them.

The depth and linear complexity of Emily's paintings have their origins in the separate dreaming symbols which she brings together on each of her canvasses. Emily often paints three dreamings at once, overlapping the symbols for each one until a web of lines and shapes is formed.

Collections

  • Pat Corrigan Collection, Sydney
  • Hank Ebes Collection, Melbourne
  • Artau Collection
  • Mbantua Gallery Permanent Collection, Alice Springs
  • Dacou Australia, Rosewater, SA

History


Selected Solo Exhibitions

2010 Emily Pwerle, Gallery Savah, Sydney
2009 Body Markings, DACOU Gallery, Melbourne


Selected Group Exhibitions

2019 Landscape Colours, Japingka Gallery, Perth
2010 The Pwerle Sisters, DACOU Australia, Melbourne
2010 Tradition to Modernity, Central Art (in conjunction with Tasmania Craft Fair), Tasmania
2009 Group Exhibition, Gallery Savah, Sydney
2009 Body Markings, DACOU Gallery, Broome, WA
2009 Utopia, Colors of the Desert, Gongpyeong Art Space in conjunction with DACOU, Australian Embassy in Korea & Crossbay Gallery, Seoul
2008 Utopia Collection, Japinka Gallery, Perth
2008 Utopia Discoveries, Flinders Lane Gallery, Melbourne
2008 Group travelling exhibition to major cities in Australia, EWB Elements, presented by Dreamtime Art in conjunction with DACOU Galleries
2008 Walking Together to Aid Aboriginal Health, Shalom Gamarada Aboriginal Art Exhibition, University of NSW, Sydney
2008 Women's Stories, Alison Kelly Gallery, Melbourne
2007 Utopia in New York, Robert Steele Gallery, New York
2007 Treasures of the Spirit - Investing in Aboriginal Art, Tandanya Cultural Institute, Adelaide
2007 Standing on Ceremony, Tandanya Cultural Institute, Adelaide
2007 Permanent exhibition, Dacou Adelaide, Port Adelaide
2007 New Works from Utopia, Space Gallery, Pittsburgh, PA, USA
2007 Group Exhibition, Australian Embassy, Washington, DC
2007 Desert Diversity, Flinders Lane Gallery, Melbourne
2007 APS Bendi Lango Art Exhibition with Rio Tinto, Fireworks Gallery, Brisbane
2007 Annual Group Exhibition 'Shalom', University of NSW, Shalom Department, Sydney
2006/07 Group exhibition, Fireworks Gallery, Brisbane
2006 The Pwerle Sisters, Flinders Lane Gallery, Melbourne
2006 The Pwerle Sisters, ArtMob, Hobart
2006 APS Bendi Lango Art Exhibition, Rio Tinto Offices, Melbourne
2005 Permanent exhibition and collection, Dacou Australia, Rosewater, SA
2005 Group exhibition, Mbantua Gallery, Alice Springs
2005 Group exhibition, Gallery Savah, Sydney