Gabriella Possum Nungurrayi

Born in 1967 at Mt. Allan in Western Australia, Gabriella Possum Nungurrayi is the eldest daughter of the celebrated artist Clifford Possum Tjapaltjarri. Under her father's guidance, Gabriella began painting at a young age, immersing herself in the rich traditions of her Anmatyerre heritage. Following her father's passing, Gabriella's work has evolved significantly, establishing her as a prominent artist with a distinct style that honours but also transcends his influence.

Gabriella's art is distinguished by its vibrant colours and intricate compositions, reflecting a deep connection to her cultural background. Her paintings often explore traditional themes such as Bush Tucker, Women's Ceremonies, and Dreamings including the Serpent, Goanna, and Seven Sisters. Employing a variety of techniques, she is especially renowned for her use of the dotting method, a hallmark of her father's distinctive style.

Her career began with notable promise when, at just 16 years old, she won the prestigious Alice Springs Art Award in 1985 while still a student at Yirara Lutheran College. This early achievement set the stage for a distinguished career characterized by numerous accolades and high-profile exhibitions. Gabriella's work has been prominently displayed in the USA and Europe, earning her acclaim for significant commissions and installations.

Among her notable achievements, Gabriella's participation in the Vivid Projection Programme at the Sydney Opera House in 2016 stands out, as does her design for the Art Tram featured in the 2014 Melbourne Festival. Her 2008 commission for the RHS Chelsea Flower Show, which depicted her custodial Grandmother's Country, won a Gold Medal. This prestigious recognition was further highlighted when HRH Queen Elizabeth received an original work by Gabriella, which now hangs in the royal collection alongside her father's art.

Gabriella Possum Nungurrayi's work is a compelling fusion of traditional Anmatyerre narratives and contemporary art practice. Her distinctive style, characterized by bold colours and detailed designs, has solidified her status as a key figure in Australian Indigenous art. Collectors and enthusiasts are drawn to her work not only for its visual impact but also for its profound cultural significance and the way it preserves and communicates the Dreamings of her people.

Now residing in Melbourne with her family, Gabriella continues to create and share her cultural heritage through her art, further cementing her legacy in the contemporary art world.

Copyright Kate Owen Gallery, April 2026