Born: Utopia, NT
LANGUAGE GROUP: Alyawarre
COMMUNITY: Utopia, NT
Jeannie Mills Pwerle lives in a remote bushland area of Utopia, 300 kilometers north east of Alice Springs with a small family group of Aboriginal people. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well known artists). Raised by a generation of indigenous artists who were part of the batik producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Yam Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style which is all her own.
Jeannie's subject matter is the flower and seeds of the Anaty (Bush Yam, or potato). Using a variety of colours in each brush stroke, she builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, usually executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brush stroke - no two being the same.
Jeannie's Dreamings are centred on the seeds and blossom of the desert yam and on associated women's ceremony. Although the Bush Yam Dreaming is shared by several other Utopian artists, including the prominent artist Emily Kame Kngwarreye, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home, because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.
The yam is a staple part of the bush tucker diet of many indigenous people from the Central Desert region. It has an impressive root system, spreading up to twelve metres from the stalk, and is commonly found in woodland areas nearby a water source. Its bright green leaves and yellow flowers, can spread over quite a wide area, growing strongly until after the rainfall months when it is harvested by digging it out of the ground.
By depicting the Yam Dreaming in their paintings, indigenous artists are able to pay homage to this significant plant and encourage its continual rejuvenation.
In 2008, Jeannie was one of the finalists in the important 25th Telstra Award for Aboriginal Art with her entry Ánaty - Bush Yam.
Jeannie is successful midrange artist whose works are included in many private collections in Australia and overseas.
Selected Group Exhibitions:
2019 Defining Tradition | the colurists, Kate Owen Gallery, Sydney