DOB: c.1910 - 16 Nov 1998
Born: Old Texas Station, East Kimberley, WA
REGION: Kimberley, Western Australia
Born around 1915 on Texas Downs as the daughter of a Malgin/Guridji woman and a white man, she was given the bush name 'Garagarag', which has a similar meaning to 'Blondie'. She was raised on Red Butte Country adjacent to, and later included in the Texas Downs pastoral lease. As a young girl, she worked on Texas Station learning to cook, and later on to stock camps, tending and riding the horses.
That's where she met her long-term friend Rover Thomas and worked with him on Texas Downs station in the early years of their working lives. On one occasion she even saved Roverís life in 1954, when he had fallen from a moving horse and had lost the top of his scalp. Queenie had sewn his scalp back on so well that doctors were amazed that a novice was so skilled. Later Queenie used the story as a subject for some of her paintings.
In the 1970ies, Queenie McKenzie and her husband moved to the settlement at Warmun. Queenie did not have children of her own, but helped raise other children whose mothers were unable to look after them. A strong member of the Warmun community, McKenzie was a councillor and taught Gija language at the school. She had always taken an active part in the ceremonial life, being both a good singer and dancer. Queenie was a stalwart supporter of 'women's law business' and language.
Inspired by Rover Thomas, Queenie took up painting in her later years, using the knowledge she has amassed by watching the older artists paint their traditional stories. Like him, she liked to use natural pigments she made from ochres that she dug from the ground.
She remained very active and continued painting to the last day of her life.
- Australian National University, Canberra
- Hank Ebes Collection, Melbourne
- Kaplan and Levi Collection, Seattle
- Holmes a Court Collection, Perth
Awards and Recognition
2000 Top 50 Collectable Artists, Australian Art Collector Magazine
1998 State Living Treasures Award, Government of Western Australia: For Linda's unique contribution to the arts and culture and the teaching of the Gija language.
1997 Queenie was honoured by being chosen, with eight other Australian artists, to create prints to commemorate the Olympic Games in Sydney
Selected Solo Exhibitions
2019 Dazzling Diamonds, Art Mob, Hobart
Selected Group Exhibitions
2019 International Women's Day, Kate Owen Gallery, Sydney
2019 Grounded in Truth: Walk Together with Courage Reconciliation Week, Art Mob, Hobart
2000 Flinders University Art Museum, Adelaide
1999 Myer Gantner Collection, USA
1999 Fine Arts Museums of San Francisco, USA
1997 Songlines Art Gallery, San Francisco, USA
1996, 1997 William Mora Gallery, Melbourne
1994, 1998 Old Parliament House, Canberra
1994 1996 Fremantle Arts Centre, Western Australia
1992, 1994, 1996, 1997 National Gallery of Victoria, Melbourne
1991, 1992, 1993 1998 Museum and Art Gallery of Northern Territory, Darwin
1991 Art Gallery of New South Wales (touring)